The first night I took the seam ripper to the heavy olive-drab fabric, my hands shook with a violence that felt like sacrilege. I was sitting on the edge of my quilt, the desk lamp casting long, nervous shadows against the walls. A sudden slip of the hand sent the needle clean through my thumb. I bit down on a yelp, squeezing the wound to ensure not a single drop of blood touched the material. I couldn’t afford a stain; this wasn’t just fabric. It was the last tangible piece of my father, Staff Sergeant Martin, and it was the... Continues…





